- A Monster Calls: A Perfect Illustration Of Why We Tell Stories.
- The Power of The One: Schindler’s List and The Little Girl in Red
- Going deep inside the underbelly of Sicario.
- A Look Inside the storytelling of Pixar’s Inside Out.
- The Babadook: when allegory meets expressionism in a therapeutic horror classic.
Category Archives: Story Structure
“If I look at the mass, I will never act. If I look at the one, I will.” – Mother Teresa Sitting horseback atop a hill overlooking the Cracow ghetto, Oscar Schindler watches the Nazis mass-murder Jews when, amongst the massive … Continue reading
“Nothing will make sense to your American ears and you will doubt everything we will do. But in the end, you will understand.” – Benicio Del Toro’s Alejandro in Sicario. The opening sequence of Denis Villeneuve’s thriller Sicario serves as a … Continue reading
“Feelings or emotions are the universal language and are to be honored. They are the authentic expression of who you are at your deepest place.” – Judith Wright WARNING: Spoilers ahead! Leave it to the storytelling gurus behind Pixar Animation Studio … Continue reading
“I’ll wager with you. I’ll make a bet. The more you deny, the stronger I get. You start to change when I get in, The Babadook growing right under your skin. Oh come! Come see what’s underneath!” – Mister Babadook … Continue reading
“I think of horror films as art, as films of confrontation. Films that make you confront aspects of your own life that are difficult to face.” – Wes Craven Part one of this article can be found here. As far … Continue reading
“Horror stories give us a way of exhausting our emotions around social issues, like a woman’s right to an abortion, which I always thought was the core of ‘Rosemary’s Baby,’ or the backlash against feminism which I always thought was … Continue reading
“The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown.” – H.P. Lovecraft There’s something about settling down in the dark of night to watch a well done … Continue reading
“Comedy is unusual people in real situations; farce is real people in unusual situations” -Chuck Jones Farce is one of the most difficult, challenging forms of writing. Perhaps more than any other genre, it relies on the writer’s complete understanding of … Continue reading
“Every story would be another story, and unrecognizable if it took up its characters and plot and happened somewhere else.” – Eudora Welty We as writers all know that setting is one of the main literary components to storytelling, providing a … Continue reading
“It is good to have an end to journey toward; but it is the journey that matters, in the end.” – Ernest Hemingway In a prior article, Cracking A Beautiful Mind’s schizophrenic inciting incident, the distinction between goal and methodology to … Continue reading